tenebrism

tenebrism
Caravaggio, The Taking of Christ, 1602

Monday, November 17, 2014

#5 Mr. Van Gogh, Not just another star in the sky


                With a quick glance Van Gogh’s pieces  appear to be just sloppy strokes of color that form an image, but are they really only that? Many know one of his most prominent paintings, The Starry night yet not all that know the painting can place his name to it. This although sad is one of the features that make Van Gogh art more than just art by some guy with a cool name. His works are elegant in their own respect. For example the way he often left his strokes unblended and robust. This emphasizes the shapes of buildings and structures but it also provides an eerie sense of movement. It is as if the painting is alive and slightly swaying. This can be seen best in his landscapes but it also provides a heavy undertone in his portraits. In his painting of the potato eaters you have to look but the movement is there. The lack of perfectly straight lines offers a softer atmosphere to the piece.

             The soft facial features are sharpened by the harsh shadows that loom over them.  Van Gogh used shadows to portray both age but also the harshness of the life the people led. The potato eaters are just that, people eating potatoes. However it is through the brush strokes that the viewer can see emotions in the people’s eyes and strain and fatigue in their bodies as they gather around the table. Van Gogh can often be tied to the brightly colored paintings of sunflowers and nighttime landscapes but it is in his dimmer darker pieces that you can really feel the emotion both within and behind the piece.So if in parallel you can attribute this painting to Van Gogh’s own state of mind and soul. The dark palette, dim lighting and grim subject matter open a window into the subconscious. 

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